Week 1 Theory Lecture

push the letters around... then scroll down

Where websites have personality, communities thrive, and technology serves people.

The web is magic—but it's magic we can learn. Actually, the real secret is that websites are just text files talking to each other. No platform required, and no subscription! There is nothing here only words.

Why does the web feel so...
CORPORATE?

Big tech (big web) controls the platforms that host the sites, and most people only visit 5-10 sites regularly. Design trends quickly spread and homogenise those few sites. "Professional" = corporate. Dark patterns from search to nudge to cookies and tracking, manipulate users everywhere.

It didn't start out this way.

ブランドとは何か

"Branding" is a normalising force

The very concept of "branding" comes from burning marks into cattle—a claim of ownership. When we talk about "personal branding," we're adopting the language of capitalism, turning ourselves into products to be marketed. This is a type of self-colonisation.

// The "branding industrial complex" demands:
→ "Consistency" (never evolves, never contradicts)
→ "Target audiences" (reduces humans to demographics)
→ "Value propositions" (justifies our existence economically)
→ "Competitor research" (where you define yourself by opposition)

// What if instead...
Inconsistency as human authenticity?
Audiences as 'we', as communities
Ethics as value, rather than liability
Solidarity over individual competitiveism?

Branding smooths out all the awkward and the weird, removing friction. It demands a 'legibility to capital'* — measuring everything by reductive, quantifiable metrics. It dehumanises — reducing human labour to "units," creativity to "content," people to "audiences" and "markets", and ultimately we all become the product to be optimised.
*'legibility to capital' is a fascinating term (but an anathema to our purposes) — further reading

Think about it: So many tech startup look identical. They use templated gradient logos (actually don't a lot of AI company logos look oddly alike ~ circular? They currently all use sans-serif fonts, and of course they have "friendly" illustrations of diverse cartoon people. difference is illegible, everything becomes nice and safe for investors.

That's not what we're doing here, in #Hashtag.

We figure your #Hashtag website won't be a brand (sorry!) but more of a garden. It can be a space you tend, that changes with seasons, that grows with weeds and flowers together. What if inconsistency was not a bug, but a feature? Maybe evidence of quirky, messy, human authenticity?

Recap?

1991
The First Website
Tim Berners-Lee at CERN invents HTML which is just text and links. Before ads and tracking, the web was just information.
1994-1999
Web 1.0 — The Weird Era
GeoCities, webrings, personal pages, experimentation. Under construction Guest books, forums, animated gifs, animated cursors. The chaos was migraine-inducing, but beautiful.
2004-2010
Web 2.0 — The Social Era
'Connect the world' unfortunately quickly became 'monetise the world'
2010-Now
Platform Capitalism
More or less five companies own the internet, and own the AI that ate the internet. Those same AI + Algorithms decide what you see, across apps, feeds, search results. Shareholders seem to have more of a say over design than users.
Now+
Rewilding the web??
Alternatives are out there. Small web communities. IndieWeb. Personal sites. & #Hashtag Cyberstar!

Have you ever thought who exactly owns your digital identity or persona?

& then, what dies when a platform dies?

        _______________
       /               \
      /                 \
     |                   |
     |                   |
     |   GRAVEYARD       |
     |                   |
     |   Vine (2017)     |
     |   Google+ (2019)  |
     |   Orkut (2014)    |
     |   MySpace         |
     |   Tumblr          |
     |   Yahoo Answers   |
     |   GeoCities       |
     |   Twitter ...     |
     |                   |
     |   All that        |
     |   content.        |
     |   Gone or         |
     |   orphaned.       |
     |                   |
     |       R.I.P.      |
     |                   |
     |___________________|
     |___________________|
                    
              /\
             /  \
            /    \
           /      \
          /________\
         /          \
        /__ARCHIVE____\
       |    |    |    |
       |    |    |    |
       |    |    |    |
       | Internet     |
       | Archive's    |
       | Wayback      |
       | Machine      |
       |              |
       | Digital      |
       | archaeology  |
       |              |
       | 580+ billion |
       | pages saved  |
       |    |    |    |
       |____|____|____|
      /________________\
     /__________________\
                    
web.archive.org →

Your Instagram isn't yours, your threads are not yours, your TikToks aren't yours, your youtubes are not yours either.
Your tweets weren't yours, etc etc. Only your domain is yours.

デザインとは何か

Beyond the Western design hegemony...

Western design assumptions aren't universal truths — Which means dmaximalism isn't clutter or chaos, and less isn't always more. Community-first interfaces exist everywhere—we just don't notice them in the Silicon Valley version of internet.

(drag the stars to rearrange the constellation)

Australian First Nations Digital Projects

ABC Indigenous · AIATSIS · Creative Spirits · BlakDance · Koori Mail · IndigenousX · First Australians (NMA) · GAMBAY

"Good design" is a product that keeps 'versioning' and it looks completely different depending on where you're standing.

Where is YOUR online presence anyway?

It's not just within the four edges of a website.

website
game world
avatar
social profile
community hub
AI version of you
breadcrumb trail
performance
bot / API / tool

Your presence doesn't have to live in one place. It doesn't have to look like anyone else's. It just has to be yours.

Reclaiming digital spaces for creativity, community, and weirdness.

Right-click → View Source → It's all just HTML

The Slow Web

A response to the attention economy

Like the Slow Food movement resisted fast food culture, the Slow Web resists the hyper-optimised, attention-harvesting, platform-controlled digital environment. It's not about dial-up speeds—it's about intentionality, durability, and craft.

Slow Web Fast Web
Durability
Content is preserved, maintained, yours
Content is ephemeral, algorithm-driven, platform-owned
Deep Engagement
Designed for thought and reflection
Maximising clicks, scrolling, time-on-site
Ownership
You control your space
You're a tenant in walled gardens
Craft
Handmade, intentional, unique
Templated, homogenous, "efficient"

"Fast" serves platforms. "Slow" serves people.

タイポグラフィー

Typography is feeling

Typography = the art of arranging letters so they:
→ Can be read
→ Communicate a feeling/tone
→ Look intentional (not accidental)

Same words. Completely different feeling.

(hover to reveal font name)

Comic Sans
"I am a serious professional artist"
Times New Roman
"I am a serious professional artist"
Helvetica
"I am a serious professional artist"
Brush Script
"I am a serious professional artist"
Impact
"I am a serious professional artist"

The WORDS are identical. The FEELING is completely different. That's typography.

Design has no rules
(but here are some tools)

/* C.R.A.P. :) (Design Principles) */

Contrast → Make differences obvious
Repetition → Create consistency through patterns
Alignment → Nothing should look accidentally placed
Proximity → Related things go together

/* Colour Theory */
Complementary → Opposites attract (high contrast)
Analogous → Neighbours harmonise (cohesive)
Emotional → Colours have feelings (oh, and cultural context matters!)

But also:

The Spectrum:

Minimalism
Maximalism
Static
Kinetic
Fast
Slow
Serious
Playful
Professional
Personal

You don't have to pick a side, (we REALLY don't want you to). You should feel free to move along the spectrum. The choice of where to stop for a beat IS the design.

every design choice is a political choice weird is wonderful on the web you belong here who decided professional? every design choice is a political choice weird is wonderful on the web we belong here who decided corporate style?

Key Takeaways

What's next?

This week: you'll create your first webpage.
& you'll learn the tools to join the weird, wild web.
then you'll have your own platform to experiment.